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May 2003

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5-1-03  Pulled sheets from the hyacinth bean pulp cooked yesterday.  Sometimes, pulp that contains both bast and stem can be problematical.  If you've beat the material long enough to fray and hydrate the stem material, you've overbeaten the bast.  That may be the case with this pulp.  To outward appearances, the pulp is coarse, when in fact, it is composed of superfine bast pulp with larger, though very soft, pieces of stem.  Because the bast is overbeaten, the pulp drains slowly, though still within reason.  The test sheets from the hyacinth bean vine are not especially eye appealing, but the quality of the paper is excellent -- crisp, thin, smooth.  I'll pull several sheets from this for books, then bleach the remaining pulp.  **This afternoon I went out to the Indian Fort Theater to help Charlie gather honeysuckle that she intends to use in basketmaking classes.  While we were there, the papermaking side of me kicked in.  I found a mulberry tree I could harvest, as well as some curly dock stalks.  About halfway into the honeysuckle gathering (during which time I was probably cutting as much curly dock as honeysuckle), Charlie straightened up, put her hands on her hips and said rather resentfully, "Y'know what? You're flat ruined as a basketmaker."

5-2-03  Went down to Silver Creek to harvest curly dock I'd found three or four days ago.  Curly dock?  What curly dock?  The ever efficient city maintenance department, whose salary I pay through my taxes, had bushhogged the field flat.  So much for that. 

5-3-03  I am back in long pants and winter socks and not happy about it.  Too cold and wet  to harvest plants or fool with paper.  Instead, I opt for making punch cradles and molds and deckles.  Come March of next year, I'll be teaching papermaking from plants and bookbinding in Ohio at the Midwest Basketry Focus - an Alternative Conference.  I'll be using the cradles and paper equipment at that conference.

5-4-03  Yet more rain and more inside work.  The rectangular pieces of blueboard that came from the centers of the deckles I made yesterday are too inviting to waste, and they're the perfect size for butterfly deckles.  Swallowtails are my favorite, unfortunately.  I say unfortunately because that's what I made, a swallowtail deckle with two lovely, slender tails.  I would have been far better off to have made Monarchs.  No tails.  Oh, including the tails makes a lovely butterfly, but they are so slender that couching is a problem.  The pulp adheres to the deckle across the tails' width and comes up with the deckle when it is removed.  A q-tip solved that problem, but taking care with the tails made pulling slow.  The swallowtail paper is a lovely shape, though, and I'd like to make a mobile in different sizes from various plant papers.  Balancing them is a problem I have yet to work through.  I have several ideas. such as weighting the paper by using dowels for bodies, but each idea has its drawbacks.  Something will work out, I'm sure.

5-5-03  At least 10 of the Monarch eggs that were laid on my butterflyweed hatched.  The larva are busily munching away, sometimes 2 and 3 to a plant, and I have yet to find a place to relocate them.  If I don't find milkweed somewhere soon, I'll sacrifice my plants. but that doesn't mean I'm happy about it.  **Stopped by Dresser Instruments and asked for permission to harvest plants around the perimeter of the grounds.

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5-7-03  Caught a break in the rain and drove over to Dresser.  It's only a couple of blocks, but the weather radar said "drive, the break isn't that big."  All manner of both curly and common dock grows alongside a small shady bluff-like area, and the plants are huge.  The curly dock has formed stalks that are just beginning to show tiny flowerheads at their tops.  The common dock, which will bloom later, still hugs the ground.  Some of the plants had 15-18 stalks that were four or more feet tall.  Lovely stuff!  I harvested about 60 stalks and made it back to the van just in time to beat the rain.  In the garage I stripped the leaves from the stalks and saved the leaf stem (minus the leaf) to cook up separately later.  The fall curly dock leaf stems made lovely sheets, but I don't know what these, gathered in the spring, will do.  The chipper grinder took less than two minutes to shred the stalks.  Last year when I processed dock, I drove the van up and down over the stalks trying to crush them.  Much easier with the shredder, and I don't feel like a fool.  (As an aside, I have a feeling that this will be an excellent way of processing green plant material that I want to dry for later use.)  Cooked the dock in soda ash for three hours and will process it in the Hollander tomorrow.  Someone asked how green stalks make rose brown paper.  The red is obviously present in both the leaves and the stalks, but I suspect that it is brought out by a reaction with the soda ash, not by the cooking alone.  I dropped some of the crushed stalk into clear boiling water and no color change occurred.  It was only after I added soda ash that the change came about.

5-8-03  While the curly dock stalks were on cooking and while I was pulling the bleached hyacinth vine pulp and while roast was in the oven for lunch, the dock leaf stems were cooking on the porch.  (I am a master at multitasking.  Wrong.  The roast was definitely well done.)  The bleached hyacinth bast isn't anything outstanding, but it's decent paper, considering that the vines over wintered outside and were gray with mildew.  The dock leaf stems made the same lovely sheets that the late winter leaves did.  Note:  I did not refer to this as paper, because it truly isn't.  The leaf stems are cooked, then placed in a paint strainer bag and washed under the full power of a garden hose sprayer.  The stems are so tender that the force of the water separates them into strands.  This "pulp" will pull into sheets that hold together well enough, but the sheets when dry are basically compressed, unprocessed fibers.  The pulp does need to be used up, not stored, because the purple bleeds out into the water and the fibers lose much of their color.  By the time I'd finished with that and emptying the beater, there was no time to pull the dock.

5-9-03  Arrggghhh!  This morning when I put the first handful of dock pulp in the vat, I knew what I'd done...or rather, what I'd failed to do...yesterday.  I didn't check the dead spots in the beater tub, and the pulp was full of unbeated pieces of stalk.  I always check, but yesterday, I didn't.  Everything was circulating so well, I simply forgot.  There was no way to fish the chunks of unbeaten stalk out of the pulp, but rather than throw it away, I pulled sheets.  As it turned out, they were okay.  The stalks were "soft cooked" and smoothed out flat in the press.  Actually, the sheets are rather nice when backlit.  Still, the chunks aggravate me.  This is an excellent plant for papermaking.  The tear strength of the sheets approaches that of hemp.  I really want perfect pulp out of it, so I'll likely do this again in the next few days. 

5-10-03  About a third of the chunky pulp was still left this morning, so I bleached it.  It turns a lovely very pale cream.  I used it to pull two-sided paper, using the bleached pulp for a thin base, then pulled curly dock leaf stem pulp over the top of that.  The combination made a striking sheet.  I accidentally dropped a papermaker's tear on one sheet, and the result was so pleasing, I dribbled water across the whole sheet.  While lovely, two-sided sheets present a problem if the pulps used for the two sides do not have the same properties.  These sheets of stalk pulp and leaf stem pulp are a good example.  They will curl and cup, no matter how flat they are dried.  There was still a little pulp left after that, so I pulled extremely thin sheets of the bleached pulp with the leaf stems as inclusions.  This is a 2"x3" swatch

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5-11-03  After yet another storm this morning (we've had something like 12" of rain in the last 7 days), I gathered about a hundred stalks of dock down at Dresser.  Stripped the leaves and ran the stalks through the chipper.  Cooked half of it (this time, with the help of my assistant, regularly checking the dead spots in the tub) and dried the other half.  The shredded stalks dried in just a few hours, though I'll put them back out again tomorrow to make sure all the moisture is out.  Curly dock stalks have a non-fibrous interior, and this cooks up into gunk, which must be washed out before the plant material is put into the beater.  I do this by placing the cooked gunky plant material in a wire strainer and spraying hard it with a hose.  The gunk washes out and leaves the clean, fibrous stalk material.  Daylight disappeared before I could empty the beater, but It will be there in the morning. 

5-12-03  The Monarch caterpillars were absolutely decimating my butterflyweed plants, stripping the leaves and cutting the top blossoms off.  I grabbed a bucket, picked off 67 of the fat little rascals, and relocated them to the area opposite the Artisan Center site where there are real, hones-to-gosh milkweed plants for them to consume at will.

5-13-03  The curly dock was perfectly beaten this time with no included bits and pieces.  I'm truly impressed with this plant.  Even though the natural color isn't spectacular, the pulp produces a smooth, clear and extremely tough paper.  I bleached the remaining pulp and pulled a few sheets to have for the records, then played around with embedding leaves in 10 or 12 sheets and pulled 24 sheets of tissue thin dock with leaf stem inclusions.  **Last winter Frances Groves sent me some Spanish moss, but I had to wait till spring before doing anything with it.  I've seen it used as an inclusion in paper, but had never seen or heard of it being cooked up, processed and pulled for sheets.  Now I know why.  In the dry state, Spanish moss has a gray outside covering over a dark brown, threadlike core.  When cooked, this gray coating turns a deep olive green.  In the blender, it comes off the core and turns into green, fiberless goo.  (Peter Hopkins says the technical papermaker's term for this is "gunk").  Swimming inside that gunk were the fine, brown, threadlike fibers.  The proportion of gunk to brown threads was about 9:1 in favor of the gunk.  If this were washed out, there would be next to nothing left, and I wasn't about to introduce the gunk/threads into a good fiber as an inclusion.  What to do?  I wasn't about it pitch it, so...I pulled sheets of gunk and threads.  The odd pulp pulled and couched with no trouble, other than being a bit slow about draining.  Mind you, this isn't paper, just compressed and dried gunk, but it's a rather pretty novelty sheet.  

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5-17-03  The KGAC Spring Fair is this weekend.  I'm doing volunteer work there, not exhibiting, and of course, it's raining.  What else is new?  **The curly dock was outstanding for paper, so I'm interested in how common dock, a very close cousin, compares to it.  Left the show between showers and gathered 100 stalks of the common dock.  Just out of curiosity, I timed gathering, stripping and chopping.  It took ten minutes to cut, gather together and tie up 100 stalks.  When I got home it took 40 minutes to strip the leaves.  (This would have taken far less time if I had not been saving the stems from the first three leaves of each stalk.)  It took 2 minutes to run the stalks through the chipper, and the stalks yielded approximately two 4 gallon cookings (two beater loads).  If I had had my wits about me, I wouldn't have chipped all the stalks immediately, but rather, let them dry a few days.  As it was, they were full of water, and the chipped material is sopping wet.  Did I say it is raining?  Did I mention that the forecast for the next three days is rain?  I had planned on drying half of the chopped stuff, and now I have to worry about it souring.  (For information's sake -- common dock matures slightly later than curly dock.  It has a broader smoother leaf, particularly on the upper part of the plant.  Other than that, the two plants are very similar in appearance.) 

5-19-03  The forecast was wrong.  Today (Monday) was delightfully sunny, so I spread half the dock shards out on a sheet to begin drying.  Good thing.  The bottom of the bin that held them was covered with water that had drained out of the stalks.  Amazing!  **Cooked the other half of the stalks for three hours in soda ash.  Either common dock processes in the beater more quickly than curly dock or the plants were more tender.  Either way, the beating only took 2 hours.  And now I know that there no noticeable difference between common dock and curly dock.  Both plants make the same crisp, smooth and tough paper.  I haven't processed the leaf stems yet, but I don't expect any real difference there, either.

5-21-03  An incident happened today that underlines how firmly my mind is locked into papermaking, often to the exclusion of other more worldly things.  Earlier today I trimmed the privet hedge and, naturally, as a papermaker, I checked it as a source for fiber and rejected it.  That is standard operating procedure, not the incident that I refer to.  Hot and tired after trimming, I came in for a break before cleaning up my mess and lamented to my husband about the huge pile of trimmings on the ground, how difficult it is to cram the stems into bags for disposal.  Without a pause, he asked why not use the chipper/grinder to shred them.  I sat there with a blank look on my face, fumbling for an answer.  Using the machine for any purpose beyond papermaking had never occurred to me. 

5-23-03  Cooked up the common dock stems this morning, but I'm a bit disappointed in the results compared to the curly dock.  They lack much of the purple coloration and strong floating white fibers that make curly dock leaf stems so striking.  I pulled a few sheets of cotton rag with the stems included, but as I said, they're a far cry from curly dock.

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5-27-03  Rain has kept me from doing much over the past few days.  Today the forecasters promised sunshine, and the sun did break through about 9 AM.  I have a project in mind, three "flying saucers" similar to this one, but in graduated sizes and hanging one under the other from large at the top to small at the bottom.  Because the sheets for the pieces such as the pictured double cone need to be rather thick, they aren't pulled, they're poured.  I'll share that my method for pouring came out of pure ignorance several years ago when I first began making paper.  I had heard the terms "pulling" and "pouring."  I understood pulling well enough, but I simply assumed that pouring was just that -- pouring onto a screen -- and out of ignorance, that's just what I did.  I poured onto an open screen with no frame and with nothing underneath.  It took some playing around with the pulp/water ratio to figure out how to pour a reasonably even sheet, though the thickness varies considerably compared to a properly poured sheet.  Yet, with practice, the proper pulp and careful overlapping, it's possible to pour a thick sheet this way.  And if a thick sheet is needed, it's a reasonable way to do it.  Today I wanted a 20"x44" sheet for the top saucer.  I put hyacinth vine pulp in a 5 gallon bucket, then turned the hose on it to thin and break up any clumps.  This is then poured onto the screen.  (It's necessary to have the screen on a slanted surface and begin pouring at the top, working downward.)  While pouring, there will be thick spots and thin spots.  After completing the entire sheet, I thin the remaining pulp in the bucket and pour that gently over any thin spots, which smoothes the sheet out.  The zigzag line down the middle is papyrus, which was poured last.  After the entire sheet is poured, repoured and decorated, another screen is placed over that, and the sheet is blotted with a towel until no more water comes out.  At that point, I spray the sheet with about a half-cup of undiluted Argo laundry starch, then move the screen and sheet to a dry area.  Normally, I'll let this dry until the edges just begin to curl, then move inside and place upside down to finish drying.  However, at lunchtime the skies darkened and...yup, a sudden thunderstorm, then another and another rolled through.  I grabbed the screen and pulled it into the kitchen, soggy as it was, and there it lies.  I'm hoping no midnight muncher walks across it during a nighttime raid on the refrigerator.

5-28-03  Hmmmm...  Either drying the sheet inside or the particular pulp I was using caused the sheet to cup and warp far more than usual.  I've lightly misted the side of the sheet away from the screen, flipped it over and placed a light fixture grid over the entire sheet as a weight.  We'll see if this corrects the cupping.  I leave trim room around the outsides of poured sheets, so even if it doesn't completely flatten, the sheet will still be quite usable for my purpose.  For the middle saucer, I thought it would be neat to use the papyrus pulp for the sheet and do the center decoration from the hyacinth vine pulp.  Doing that may have been a mistake, or rather two mistakes.  The papyrus pulp is very fine fibered, and the sheet may be thinner than I really want.  Also, in using more pulp to make it thicker, I've used all the papyrus pulp I had and have nothing to decorate the smallest sheet.  Jolly.  Three hours later...  Okay, I solved one problem.  The papyrus sheet dried outside without cupping.  When it was dry, I trimmed the excess from the edges, rehydrated the trimmings, and used that when I poured the smallest sheet, which is drying now as I type...inside...because it is raining yet again.  Meanwhile, I checked the first sheet, and the cupping was nicely corrected.

5-29-03  The smallest sheet cupped much like the first one, and I spray damped it and placed it under the light grid with books on top as weights.  This flattened it nicely.  Here is a shot of all three.  Only one, the papyrus, sheet, has been trimmed, so the dimensions aren't accurate for the smallest or largest.  It's likely I'll take them down to Tourism tomorrow to do the trimming, scoring and folding.  There isn't a table here that's large enough.  Tourism won't mind me cluttering the place up with papermaking stuff and the tourists always enjoy seeing a craftsman at work.

5-30-30  Spent a couple of hours at Tourism this morning trimming and scoring the sheets.  Once the sheets are scored and gently folded, sewing holes are punched about 1/2" down from the top along the two long sides.  Before sewing, the two short ends are glued.  This is the smallest cone scored, glued and stitched, but not pulled into the double cone shape.  After all three were formed into the cones or flying saucers, I hung one beneath the other.  I'm not satisfied with the distance between the bottom cone and the one above it.  To be visually pleasing, I think the distance needs to be just a bit longer, but I haven't taken time to correct it yet.  I will eventually.  **As a side note about Tourism, I think that is the only business I know where employees come in on their days off just to visit and use the phrase "I get to work this weekend."  Fun bunch, fine people.  They also make a mean pot of coffee.

5-31-03  Siberian iris leaves make an excellent paper, but I've never done the stalks.  This morning was spent harvesting and cooking the stalks, along with their base leaves, from my two large plants.  Caesar seemed to think harvesting was a game designed expressly to amuse him.  He pounced each time I slid my hand down a stalk to cut it off.  I have the scratches to prove it.  Removed the seedpods and ran the stalks through the chipper, then cooked them for three hours in washing soda.  The stalks were marginally done at that point, but the leaves were overdone.  Time was becoming a factor, so I opted to wash the plant material and begin beating at that point.  Beating took three hours, so the stalks probably should have been cooked longer, however, the pulp is smooth and fine.  Didn't have time to pull sheets,  It was too cold and windy to do that, anyway.  Tomorrow's job...if it warms up and doesn't rain.  **Quick note about beating Siberian iris stalks.  This plant material is one of those that accumulate rapidly on the sides of the drum.  It was necessary to stop the beater and clean the drum more often that usual during beating.

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