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4-17-03 Two days ago I split,
cut up and put some western red cedar bast in to soak. The bark is
interesting. There seem to be three layers -- the outer weathered gray
bark; a rather lifeless (dry feeling even when wet) bast under it; and an inner
bast that is soft and pliable when wet. It's this inner bast or bark that basketmakers treasure. It's also the bast that I wanted to try for
papermaking, though I saved both the other barks for later. The bast
resembles that of black willow, though somewhat softer and more pliable.
After cooking for 2.5 hours in lye, I was surprised at hope easily the strips
mashed easily under the tip of a wooden spoon and even more surprised when the
pressure of the hose broke up most of the bast. Made for easy circulation
in the beater. Beat easily and quickly, taking only one hour, but it was
bad about gathering on either side of the drum. I pulled 8 or 10 test
sheets from the cedar pulp, and although lovely, they don't appear to be paper.
Rather, they are sheets of compressed fiber, though very fine fiber, mind you.
I'm not sure how to define the difference, but my guess is that the fibers, fine
as they are, aren't frayed and hydrated enough to bond into what I view as
paper. I'm not sure whether beating longer would have broken them down
more and hydrated them, but I have enough unprocessed cedar to give this another
try. I'd dump this batch back into the beater, but I really didn't have a
full load, even before pulling sheets. I'd rather do it again with enough
to completely load the beater. One interesting thing happened while
pulling sheets. There were "knots" of tiny fibers about the size of peas
in the vat. Only extremely vigorous swishing would break them apart.
Not sure what dynamics made them, but it's possible that these clumps of fibers
were compressed under the drum into knots just before the machine was shut down.
If that's the case, running the beater with the drum slightly elevated for the
last 10 or 15 minutes might eliminate them. (FWIW, I don't iron paper to
dry it, except as a test to see how it does. Cedar bast is one of the few
pure plant fibers that can be ironed dry without wrinkling.)
4-19-03 Cooked the Indian hemp
three hours in lye yesterday, then left it soaking overnight, not my original
intention, but we had unexpected company. Didn't get around to draining
and washing it until nearly noon today. From the looks of the plant
material, it could have cooked longer and not been hurt. This stuff is
tough! Whatever. It went into the beater "as is" to see what would
come out the other end. Pulp that was pulled out after three hours of beating would
make a sheet well enough, but required a formation aid. Rather than drain
the vat, I opted to add about 4 oz of dry abaca and beat it another hour.
The resulting pulp won't require formation aid. **All spring I've been
eyeing dandelion blossom stems as a source for novelty fiber, wondering what
kind of pulp it would make, if any. I can now report -- don't bother, at
least not without adding additional fiber. This year our backyard has been
a seemingly endless supply source for the stems, and I gathered two double
handfuls for a test batch while the hemp was beating. Cut and cooked them
with a tablespoon of soda ash for 10 minutes, drained and washed. The act
of washing totally demolished the stems into a slightly fibrous goo. There
really wasn't enough fiber to fool with, but I wasn't about to let that stop me.
Put the pulp into a small vat and pulled a sheet, which because of the goo, would not
come off the mold. Tried several times, but with no success. It's
evening now, and the pulp still sits in the vat outside. I refuse to give
up. Tomorrow I'll add a pinch of abaca and see if that will cause it to
couch off. (Stubbornness runs in my family.)
4-21-03 Stubbornness may run
in my family, even to the point of muleheadedness, but absolute insanity
doesn't. This evening I did try one more time to pull the pure dandelion
stem pulp without luck. Hopefully, my iris plants will enjoy the pulp more
than I did. In a fit of disgust, I sent the contents of the vat over the
deck railing and into the flowerbed. If I couldn't have the pure sheets, I
wanted nothing from it.
4-22-03 In all of last year, I
only saw two Monarchs, and those at the tail end of the summer. So far this
year, I've already seen six, and all of those were laying eggs on my butterfly
weeds, which, FWIW, are only 4-6" high with the leaves still firmly tucked
against the stems. Over the last few days I have developed a love/hate
relationship with these lovely butterflies. I'm glad for their population resurgence,
but I hate it for my flowers. If only a small portion of those eggs hatch, there
will be no butterfly weed blooms gracing my garden this summer, nor bast in my
vat this fall. Because I really do love the Monarchs, I'm going to be a "cake
and eat it person." I'll spend some
time during the next few days looking for wild milkweed so I can do a relocation
program if necessary.
4-23-03 Heavy frost last night
and still cold up into the morning, too cold to pull paper. The afternoon
warmed up, but a walk down by Sliver Creek was far more inviting that wetting hands
in the vat. A small marshy
area, not more than 20 or 30 yards long, held some interesting, unidentified
grassy plants with round, hollow leaves. They
grow in clumps are likely in the bulrush family.
At this time of year, the leaf bases are distinctly red.
I'm hoping that Julie Johnson, a papermaker/basketmaker from Oregon who works
for the forest service, can be some help with identifying this one.
[I need to thank Landon McKinney from the Kentucky Native
Plant Society for his email identifying this plant as soft rush, Juncus
effusus.] Cut enough for a beater load and brought them home. (Cutting
the leaves up for cooking proved
interesting. Five weeks ago, I acquired a new 9 or 10 month old helper,
Caesar, who feels his duty is to be
intimately involved in every paper project.) For early spring leaves, these
proved to be surprisingly tough (2.75 hours to cook in soda ash). Unlike
bulrush leaves, these did not turn chocolate brown while cooking. Rather,
the color shifted from green to olive. The batch is sitting on the porch,
rinsed and drained, waiting for tomorrow's beating in the Hollander.
4-24-03 Still cold. Had
to wait until late afternoon before it was warm enough to beat the cooked plant
material. (For lack of a known name, I'll call it bulrush for now.)
It beat quickly, the leaves separating into fine lengthwise fibers within the
first 10 minutes and only requiring an hour of beating in all. Return for
amount cooked isn't as great as with other leaves, but there is next to no labor
in gathering and cutting up (unless you have a helper). Too late and too
cold to pull sheets today. (FWIW, the Indian hemp pulp from the 19th still
isn't pulled. One way or the other, inside or out, it will be tomorrow.)
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4-25-03 Pulled a few test
sheets from the "bulrush" this morning, and I'm glad there were few.
Strange stuff. The fibers are fine, though not as superfine as the
dandelion stems, and the pulp drained nicely, but the sheets held an amazing
amount of water. So much so that the fibers seemed to be floating in it.
When I put pressure on the sheets, they
flattened and distorted,
becoming irregularly wider and longer. The thicker the sheet, the worse
the distortion. Wrinkle marks formed during drying even though the sheets
were under pressure. Not good. It's an excellent pulp, and
discounting the misshaping, the paper is lovely and can be pulled as fine as
tissue. I think if the post is allowed to sit on an absorbent surface
before pressing, that may solve the problem. Doing that wouldn't practical
for production pulling, but I'd like to get a few pure sheets for record
purposes. I really wish now I had pulled out some of the pulp halfway
through beating. Those long fibers would have been lovely as an inclusion.
Whatever. There's no time to work through the problem this morning.
I'll get back to this one the first part of next week. **Pulled 48 sheets
of the Indian hemp pulp this afternoon. I'll be teaching a bookbinding
session in March of next year using hmp, and this will be one of the papers for
that. In May of last year I did
Indian hemp using soda ash.
The batch today was cooked with lye and is a far better pulp and
the paper is much finer.
Bleached the remainder of the hemp pulp and left it soaking in water for
tomorrow.
4-26-07 I was
really surprised at the color of the bleached hemp pulp. It's distinctly
yellow, though some of the
intensity faded in the dry sheets.
Last year's bleached Indian
hemp was a cream with a touch of tan, no hint of yellow. Don't know if
this color shift is because of the use of lye or simply because these were
different plants processed at a different time. **I had to laugh at a
request from the women who work at the Welcome Center (Tourism) in Berea.
I'm not laughing so much at their request, but at the apologetic manner in which
they made it. I suspect if they didn't know me so well, they wouldn't have
asked at all. Tourism has a cat, Tux, by
name. Tux is loved by all. She's affectionately referred to as
"Mayor of Old Town," and is a true delight -- affectionate, but not pushy, slick
and sleek and most definitely well fed. A few weeks ago, one of the
employees asked if could I "make paper from Tux," if they saved her hair.
Perhaps some people would be put off by the request, but knowing the cat and
knowing how much the women who work at Tourism love that cat, I couldn't refuse.
I'm glad I didn't. The paper turned out to be surprisingly lovely.
Instead of being single hairs scatted throughout the sheets, as I thought it
might be, the cat fluff made strands and
formed soft swirls through the cotton rag pulp. The swirls reminded me
a great deal of silk in Japanese paper.
4-28-03 A rather strange
disconnected, disorganized day. Unusual for me. Couldn't really
connect solidly with anything, just flitted from one project to another, not
accomplishing a heck of a lot. I did pull eight or ten heavier sheets of
the "bulrush" pulp and let them dry somewhat before pressing.
Doing so did eliminate the
distorting and did somewhat alleviate the perception of wrinkling along the
edges. The sheets are actually very flat, no wrinkles at all, but they
appear to have them. Weird. **Each year one of the papermaking
groups I belong to has a swatch swap, which involves producing 80-85 2"x3"
swatches of paper. I hate tearing paper, so one of today's projects was
a deckle that would pull eight small
sheets of the appropriate size. All of my deckles are 3/4" thick, but
the blueboard I planned on using was only 1/2". I made it from that anyway
and tried it on some cotton
rag with cedar bark inclusions. It works just as well as 3/4". I started to
cover the deckle with duct tape, then thought better of it. That was way too much
work for something that is easily replaced. While I had the cotton/cedar
in the vat, I pulled 24 full size sheets to use for books.
4-29-03 Really didn't have
anything in particular planned for today, so I fooled around with the cedar
pulp. Added some to the cotton rag, but I wasn't really impressed with the
appearance of the paper. The cedar changed the color and it's nice enough, but
rather plain, so I filled another vat, added nothing but cedar to that one
and pulled two-sided cotton
rag/cedar paper. The cedar worked very well for that.
When the pulp in the vat of cotton rag was kept thin, the two-sided sheets were a nice
thickness. The combination would make lovely envelopes with the darker
cedar on the inside.
4-30-03 Cooked the
hyacinth bean vine
that was run through the chipper earlier this month. Used soda ash for
cooking, but lye probably would have been better. Cooking took 4 hours,
too long to suit me, and too long to allow me to work with the pulp today.
**While that was cooking I fooled around with left-overs, those dabs of pulp strained out of the vat each
time I change water and those small dabs of pulps that are always left after
pulling. It's basically a conglomeration of whatever I've been working
with that could reasonably be added to the bag. If I'm careful about what
I add, it makes a nice mixture and the
mixed pulp paper most times is lovely. I've promised myself (don't
scoff) that this year the size of this bag of left overs will be kept within
reason. It's definitely within reason after today. The contents are
on the compost heap. I made the mistake of adding a dab of cedar and the
remaining pure wild garlic pulp. I knew better than to do that.
Never mix a reddish pulp with green. I'll spare you. There is no
picture of that paper.
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